Pantagruel download pdf

I have heard you mention them with consideration these twenty years at least. The typical, natural order of words is changed as certain words are moved out of order. Some rise by sin, and some by virtue fall. Shakespeare, Measure for Measure Exaggeration for emphasis. This my hand will rather The multitudinous seas incarnadine, Making the green one red. A foot containing an unaccented syllable followed by an accented syllable in a single line of a poem.

Lord Byron, She walks in beauty Descriptive language that can function as a way for the reader to better imagine the world of the piece of literature and also add symbolism to the work. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

He gives his harness bells a shake To ask if there is some mistake. Robert Frost, Stopping by woods on a snowy evening.

A literary device by which a statement is made in the form of a question to give the idea more rhetorical force. What happens to a dream deferred? Does it dry up like a raisin in the sun? Or fester like a sore- And then run?

Does it stink like rotten meat? Or crust and sugar over- like a syrupy sweet? Langston Hughes, Harlem There is a contrast between what is said and what is meant, or between appearance and reality. Yet Brutus says he was ambitious; and Brutus is an honorable man. Shakespeare, Julius Caesar A sentence or series of sentences composed of two or more phrases of similar structure and length. Lewis, Till We Have Faces Two or more ideas, places, characters, and their actions are placed side by side to develop comparisons and contrasts.

Merry and tragical? Tedious and brief? That is hot ice, and wondrous strange snow! How shall we find the concord of this discord?

Exactly the right time to say or do a particular thing. It refers to making exactly the right statement at exactly the right moment. Abraham Lincoln gave his Gettysburg Address at exactly the right time to articulate the higher purpose of the battle, which was not just to dedicate a burial ground but to preserve the United States of America. A story about human events or actions that has not been proved or documented in real history.

The third and fourth lines rhyme together, are shorter, and follow two metrical feet. Rudyard Kipling A figure of speech and form of verbal irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.

No, 'tis not so deep as a well nor so wide as a church-door. Shakespeare, Romeo and Juliet The mistaken use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, sometimes humorous utterance.

One word, sir. Our watch, sir, have indeed comprehended apprehended two auspicious suspicious persons, and we should have them this morning examined before your worship. Shakespeare, Much Ado About Nothing A form of aristocratic entertainment in England in the 16th and 17th centuries, originally consisting of pantomime and dancing but later including dialogue and song, presented in elaborate productions given by amateur and professional actors. The use of understatement to highlight a point, or explain a situation, or to understate a response used to enhance the effect of a dramatic moment.

I am a very foolish fond old man, Fourscore and upward, not an hour more or less; And, to deal plainly, I fear I am not in my perfect mind. Shakespeare, King Lear A figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. Shakespeare, As You Like It. A figure of speech in which one thing is replaced with a word closely associated with it.

The pen is mightier than the sword. Edward Bulwer-Lytton in Cardinal Richelieu. A self-correction. I have my shortcomings, through my own fault and through my failure to observe the admonitions of the gods — and I may almost say, their direct instructions.

A literary element that evokes certain feelings or vibes in readers through words and descriptions. Mood is developed in a literary piece through various methods, including setting, theme, tone, and diction. An image, sound, action, or other figure that has a symbolic significance, and contributes toward the development of a theme. Motif and theme are linked in a literary work, but there is a difference between them.

In a literary piece, a motif is a recurrent image, idea, or symbol that develops or explains a theme, while a theme is a central idea or message. Lee strengthens the atmosphere by a motif of Gothic details, in recurrent images of gloomy and haunted settings, supernatural events, and a full moon.

Another motif in the narrative is the small town life of Maycomb, which depicts goodness and pleasantness in life. A word that imitates the natural sounds of a thing. It creates a sound effect that mimics the thing described, making the description more expressive and interesting.

He saw nothing and heard nothing but he could feel his heart pounding and then he heard the clack on stone and the leaping, dropping clicks of a small rock falling. A contradiction of terms pairing two words together that are contradictory. I am a deeply superficial person. Andy Warhol A number, a word, a sentence, a symbol, or sign that can be read forward as well as backward, or in reverse order with the same effects and meanings.

Able was I ere I saw Elba. Purportedly attributed to Napoleon Bonaparte A short story with a moral lesson at the end. The Good Samaritan. Told by Jesus in The Holy Bible Contrary to expectations, existing belief, or perceived opinion, it is a statement that appears to be self-contradictory or silly, but which may include a latent truth. It is also used to illustrate an opinion or statement contrary to accepted traditional ideas.

A paradox is often used to make a reader think over an idea in an innovative way. The child is father of the man. William Wordsworth, My heart leaps up An imitation of a particular writer, artist, or genre, exaggerating it deliberately to produce a comic effect. As the empire of England spread to far off lands, it became a center of navigation and exploration. A creative work that imitates another author or genre. In these films, the camera techniques and dialogue are highly reminiscent of these two classic genres, and the creativity of the movie comes from mixing the disparate genres together.

A figure of speech in which the natural world or some part of it is treated as though it had human emotions.

Nature abhors a vacuum. A sudden change in a story which results in a negative reversal of circumstances. Thus in Oedipus, the messenger comes to cheer Oedipus and free him from his alarms about his mother, but by revealing who he is, he produces the opposite effect. Aristotle Refers to the voice of a particular kind of character—the character who is also the narrator within a literary work written from the first-person point of view.

A kind of metaphor in which an inanimate object, abstract thing, or non-human animal is described in human terms. Emily Dickinson, Because I could not stop for Death An obvious, simple, and easily understood statement with little meaning or emotional weight. See thou character. Costly thy habit as thy wallet can buy, but not expressed in fancy; rich, not gaudy; For the apparel often proclaims the man. Neither a borrower nor a lender be: for loan often loses both itself and friend.

This above all, to thine own self be true;…Thou canst be false to any man. A case in which one uses too many words to express a message, either by mistake or as a tool for emphasis. The most unkindest cut of all. A literary device that uses multiple repetitions of the same conjunction and, but, if, etc.

A short introductory section that gives background information or sets the stage for the story to come. Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. A joke based on the interplay of homophones, words with the same pronunciation but different meanings.

It can also play with words that sound similar, but not exactly the same. Ask for me tomorrow, and you shall find me a grave man. The repeating of a word or phrase, a common device used to add emphasis and stress in writing and speech. There are many types of repetition in rhetoric, but below are some of the most common. Epizeuxis: repetition of a word in sequence. Anaphora: repetition of a word at the beginning of each phrase or clause. Mesodiplosis: repetition of a word in the middle of each phrase or clause.

Epistrophe: repetition of a word at the end of each phrase or clause. A form of verbal irony that mocks, ridicules, or expresses contempt. One says the opposite of what one means verbal irony and doing it in a particularly hostile tone. There are three types of satire: Juvenalian. This is the strongest type of satire as it attacks a single target in a vicious way.

The most common form of this satire is political satire, which attacks politicians and pundits. This type of satire is similar in harshness to Juvenalian, but it attacks a more general target.

An example is religious satire, which attacks sacred figures or religious beliefs. Utopia, Gargantua and Pantagruel. This type of satire makes fun of things in a soft or even loving manner. Gulliver's Travels. Robert Burns, A red, red rose A kind of monologue, or an extended speech by one character. It is not given to another character, and there is no one around to hear it. Instead of another character, it is delivered to a surrogate, to the audience, or to no one in particular.

A metrical foot consisting of two long syllables. Robert Frost, After Apple-Picking A verbal error in which a speaker accidentally transposes the initial sounds or letters of two or more words, often to humorous effect. Only boys can play sports. Asians are good at math. A literary and artistic movement in which the goal is to create something bizarre and disjointed, but still somehow understandable.

My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger. Andre Breton, Freedom of Love A literary device in which a part of something represents the whole, or it may use a whole to represent a part. It is an ever-fixed mark That looks on tempests and is never shaken.

Describes or associates one sense in terms of another, most often in the form of a simile. Sensations of touch, taste, sight, hearing, and smell are expressed as being intertwined or having a connection between them. Dante, Inferno, The Divine Comedy The repetitive use of phrases or words that have similar meanings. It is expressing the same thing, an idea, or saying, two or more times. To Carthage then I came Burning burning burning burning.

Eliot, The Wasteland The attitude of a writer toward a subject or an audience. All morons hate it when you call them a moron. Salinger, Catcher in the Rye An adjective usually used to describe one thing is transferred to another. Lay your sleeping head, my love Human upon my faithless arm. Auden, Lullaby A series of three parallel words, phrases, or clauses.

Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children.

The use of figurative language, via word, phrase or an image, for artistic effect such as using a figure of speech. If it were so, it was a grievous fault, And grievously hath Caesar answered it. He was my friend, faithful and just to me. But Brutus says he was ambitious, And Brutus is an honorable man.

A statement that is obviously true and says nothing new or interesting. You can observe a lot by watching. New York Yankees catcher Yogi Berra When a writer presents a situation or thing as if it is less important or serious than it is in reality.

It describes something with less strength than would be expected. Understatement is the opposite of hyperbole or overstatement. Three types of understatement are: a.

Ironic Understatement: It could have been worse. Comedic understatement: Damn! We're in a tight spot! O Brother, Where art thou? Polite Understatement: I think we have different opinions on this subject. References Dictionary.

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