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I dunno if it's true but it certainly sounds plausible - the new stuff is all crap. Hell, a friend dropped by with a terabyte drive filled with recent shows. I've seen perhaps the first two episodes of each show but the only one I was willing to sit th.

Well we're talking about piracy, you're hardly going to pirate shows you don't even want to watch. I'm not sure there has been any significant decrease in the watching of television shows recently due to a supposed quality decline. The new shiny shiny should be able to outsell the back catalog regardless. The new shiny shiny is getting all of the marketing support. The fact that the back catalog is selling better than the new stuff is still pathetic, even if it's only in the aggregate.

Everything goes somewhere, and I go everywhere. They're never going to stop piracy. It's like trying to play whack-a-mole. I think you confuse what Hollywood wants.

It's never going to become like Bollywood, where hits are fast and furious, and sell for rupees on the dollar. Hollywood maintains it's margins on control.

Like Orwell said "All art is propaganda". Wagging the Dog. Unless there's a titanic shift in the market, Hollywood will continue to tell us what we want, rather than cater mainly to what is desired by moviegoers.

If the free version is just as good and just as easily available, approximately nobody would pay for a similar sevice. Hulu and Netflix are great, sure.

But if bittorrents and the like had never been prosecuted, and you could just get the popcorn time app for your ipad and watch whatever you want, what sort of idiot would pay?

Even now, with threats of prosecution, and sketchy websites with advertisements for Russian brides, and a good chance of viruses, and the need for technical know-how, bittorrents a. I do think many, if not most people are okay paying for movies, especially ones they know are good ones from friends, families, or trusted reviewers. That is, as long as the price is reasonable and it works as expected.

What makes piracy still attractive is the ability to get movies without certain restrictions and earlier than you'd get it from whatever method they subscribe to. Price matters more to those who have little disposable income, but that is not as many people as you might think. Mostly it's youn. They're never going to stop piracy Movie companies would do a much better job if they stopped trying to squash any sort of piracy. The should stop trying.

They should stop trying to enforce that law. They should stop trying to enforce those laws. Piracy doesn't harm anyone. Study after study has shown that piracy doesn't hurt movie profits. So that's why his argument is different - because it's entirely different. The difference is most people dont go around shoplifting, murdering and defrauding. Pretty much everyone who uses the internet violates copyright every day.

I decrypt BDs all the time myself. The other two also have well known cracks that are often discussed in forums more specialized than this one. On the "Torrents Time" github location all I see is an "embed" project that's essentially a JS snippet. It looks to me like it's just a local torrent client with a browser plugin that allows it to be loaded and controlled from a webpage.

It's not compatible with ordinary BitTorrent clients, though. If you don't like big-budget Hollywood movies and prefer independent films, that's cool. You can watch plenty of independent films online and offline. I take a similar tack with software - I don't care for how Microsoft treats their customers, so I don't use their software. I've been using open source for decades. Yeah, studios who spend a billion dollars making sure three movies try pretty hard to recoup the cost, mostly from the one that turns out to be popular, and that includes all the typical "big business" stuff that goes on when hundreds of millions of dollars are involved.

Personally, I don't care for the big-budget films like Star Wars, so I don't stream, rent, or buy them and I certainly don't steal them. I'm not trying to destroy the people who produce the stuff I like. If I like the movies that a studio makes, wtf would I want to get rid of them? You're right. It makes no sense. I mean, as far as I know, no movie has ever been stolen, ever.

We'll go ahead and ignore the huge gaps in logic in the first part your post, because you're right we'll never come to understand one another on that. Instead, let's focus on the last bit. It's basically the same as charging another 50 cents or whatever. So we can consolidate the two options "cheap" and "even cheaper, with an ad". Ps your studio propaganda about Redbox is WAY outdated, and it wasn't even true back in when the studios were saying that.

If a lot of people rent Disney movies from Redbox, then Redbox buys a bunch of Disney disks to keep their machines stocked. If fewer people rent a particular movie, Redbox might put one copy in half of their machines. Ever had to drive to a different Redbox location to find the movie you wanted? This is why. Only the most popular releases are in every machine. If few people want to rent a movie, Redbox doesn't stock it at all, so they buy zero copies.

In short, the more people want to rent a movie, the more copies Redbox needs, so they buy more - which means more money for the studios. What about their impact on the law? Even if you're not into Disney movies, you're still impacted by the legislative bullshit we're currently diving in "Mickey Mouse" copyright act, aka DMCA indirectly caused by Disney copyright holders.

It wouldn't bother me if this bullshit only applied to Disney movies, however, its scope is much broader. Experience has shown us that the content industry is continuously trying to make illegal anything they think reduces profit. More precisely, first they make it techn.

On a tangent to your point, open-source players are now allowed under DMCA. Under current rules, there are substantial uses allowed as fair use, mostly in an educational context. A cracked copy is always going to more be useful. A player that does things it's not allowed to, is always going to be more useful than one that does not. The so-called copy-protection schemes don't do any thing of the sort and never did.

All they do is reduce the usefulness of "legitimate paid for copies". Even if you actually did pay for it, it's still more useful to strip the DRM yourself or have someone else do it for you. I'm sure if they are struggling to make a profit from a film because of a few illegitimate copies they could recoup the costs by paying actors a normal wage, getting rid of all the IP lawyers who only serve to line their own pockets, and generally cut some of the incredible cruft that is associated with Hollywood.

Those are some interesting thoughts. I have some specific knowledge about one thing you mentioned, and some thoughts on the others. There are many, many films with actors paid "a normal wage" thousands of dollars. They are called "independent films". How many have you watched? How many have you bought? You will be able to see torrent providers as well as torrent trackers you will be using.

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